Here's a little Photoshop trick. On a new layer of 50% gray over my photo, I created a lens flare by clicking Filter > Render > Lens Flare. I chose about where I wanted the center of the flare in the dialog box. I then set the blend mode of the gray layer to Hard Light, moved and resized the lens flare layer to a position that was pleasing, and erased any part I didn't want. I used Mindy's Actions to bring out the color. |
Thursday, 28 October 2010
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tutorial
Tuesday, 26 October 2010
Morning Mist
This was an early morning shot and difficult to capture because of the extreme contrasts in lighting. After experimenting with the different settings, I chose f 5.6 1/500 ISO200. This is the view from our home. I love the changing seasons as the lake takes on a completely different appearance throughout the year. |
One Year Later
Little Nicholas is still not sure what's so great about pumpkins! I have discovered that it's next to impossible to capture a good shot using manual. He's always on the move and not the least bit interested in posing. |
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Nicholas
Saturday, 2 October 2010
I finally took the big leap and turned the dial to MANUAL. I love being able to have more control over my camera and am leaning to feel more comfortable each day. My confidence can be attributed to the fact that I am taking an online photography class from Christy Vanderwall at Speedscraps. The class is based on a book by Bryan Peterson called Understanding Exposure. Her method of teaching is dotting all of i's for me. For instance, think of lining up 22 glasses. Using a smaller f/22 aperture you will see all 22 glasses perfectly focused from front to back. Whereas, if you use a larger f/4 aperture, you will only see the first four glasses clearly with the background blurred. Now, just how clear is that???
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recommended reading
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